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Mosaïque de rencontres

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9 February

Vous trouverez ———ICI———– un recueil d’activités pour l’enseignement-apprentissage du Français Langue Etrangère par la littérature. Toutes les activités ont été créés à partir de cinq nouvelles ainsi que six poèmes figurant au programme 2023-2025 de littérature prescrit en Afrique du Sud.

Les fiches enseignants sont en accès protégé, pour recevoir votre code d’accès, merci de nous contacter.

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Meet the Création Africa Top 15 entrepreneurs! Over the past few months, they have been taking part in a business incubation journey facilitated by UVU Africa and its digital skills and innovation division, CAPACITI.👏✨ #CreationAfrica2 #FrenchInstituteSA
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On 29 March 2026, Fête de la Musique was presented in Cape Town for the first time, as part of Bree Street Sundays. Organised by the French Embassy and the French Institute of South Africa (IFAS), the event brought free live music into the public space, transforming Bree Street into an open-air platform for performance and exchange. Fête de la Musique Cape Town was implemented, supported and funded in partnership with Bassline, TotalEnergies Marketing South Africa, the Alliance Française of Cape Town, Young Urbanists through Street Experiment SA, Bridges for Music, the City of Cape Town, Mission for Inner City Cape Town and Jazz in the City.
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The Création Africa Top 50 is a true reflection of the depth and diversity of the cultural and creative industries! #CreationAfrica2 #FrenchInstituteSA
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A conversation exploring the impact of the 2025 funding cuts for the HIV response, especially for at risk and LGBTQIA+ communities. The panel will consist of leading experts in the field, both within health research and operating directly on the ground with affected groups.
As part of the French Institute of South Africa’s (IFAS) 30th anniversary, this film turns to Lesotho to spotlight artists and cultural practitioners involved in co-creation initiatives supported by IFAS. Shot across the Mountain Kingdom, it features voices that have helped define the Institute’s work over the past three decades. Directed by Adam Heyns.
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